| If
we wish to have a future with greater meaning, we must concern ourselves
. . . with all that is worth preserving from our past as a living
part of the present.
—With Heritage So Rich, 1966
You are probably a preservationist.
If you wear a piece of your mother’s jewelry,
carry your grandfather’s pocket watch, file the bills in Dad’s
old rolltop desk, or pull your kids around in the same red Radio
Flyer you rode in as a child—if you do anything like this,
you are practicing the principles of historic preservation.
The idea is to integrate elements of the past
into the present—not as relics but as living objects, things
we use day to day. It’s something most of us do as individuals—and,
increasingly, we do as communities.
Coloradans have been doing it for more than a
century. In the early 1900s, private citizens and historic preservation
societies fought to save such landmarks as the ancient pueblos of
Mesa Verde, Pike’s Stockade in the San Luis Valley, and the
Central City Opera House. A 1953 state law authorized the Colorado
Historical Society to acquire significant properties, including
the Georgetown Loop Railroad, the Baca and Bloom mansions in Trinidad,
and Fort Vasquez north of Denver.
The National Historic Preservation Act of 1966
launched a new era. In the ensuing decades, lawmakers and civic
leaders created a whole range of tools for preserving our heritage.
The Colorado Preservation Office (now the state Office of Archaeology
and Historic Preservation) was established to develop a statewide
survey of historic resources and prevent the loss of significant
properties. The legislature established tax incentives to encourage
the rehabilitation of old buildings. Local organizations such as
Historic Denver, Inc., and Historic Georgetown helped raise public
awareness about preservation and rallied support to save many jeopardized
landmarks. Since the creation in 1990 of the Colorado State Historical
Fund—the largest such fund of any state in the nation—cities
and towns throughout Colorado have enjoyed the resources they need
to make old places new again.
We save old landmarks not for their physical presence
but for the meanings and associations they carry. Like Dad’s
desk or that old Radio Flyer, they symbolize constancy and tradition
in a world full of change. |