Before the invention of photography, portraiture was largely an
art for society’s upper class, members of which could afford to
pay an artist to paint their portrait. Beginning in 1839, the
photograph made portraiture affordable for the middle class.
Although inexpensive, early photographs were less durable than
paintings. Their fragility spurred experiments and innovations in
the medium. One process involved the art of firing photographic
images on enameled and glazed surfaces. Enamel photography became
less popular as the quality of photographic processes and papers
improved, but it never disappeared. Today a few companies in the
U.S. produce enamel photographs, primarily as memorials on cemetery
monuments.
The J.A. Dedouch Company, established in 1893, is one of them.
Traditionally, the customer supplied the company with a photograph.
Through chemical processes, the photographic images was transferred
to a ceramic surface, resulting in a black or sepia base color.
Colorists then hand-applied color to produce a portrait that looked
like a painting. Finally, the ceramic surface was enameled and
fired.
The Society is fortunate to have the two miniature enamel
photographs shown here, thought their subjects are unknown. When
contacted about the identity of the couple, the manufacturer was
unable to help because it does not archive work orders. The identity
of the couple is not, however, a complete mystery. Clues include
their pose—they face each other—which indicates the pair were
probably married. Additionally, the photographs have similar
characteristics in both the color and treatment of the background,
and their frames are identical. The couple’s clothing dates the
portraits to c. 1915. When unframed, the words "Haviland Dedou"
appear on the front lower section of the portrait of the woman.
Historically, names written on the front of photographs referred to
the photographer, not the subject. State census records from 1900 to
1920 indicate that there were several Havilands living in Colorado,
including Charles Frederick Haviland—the china maker—and some of
this descendants. Unfortunately, neither the Colorado Historical
Society nor the Denver Public Library has records of photographers
or owners of photo studios listed under Haviland.
Do you recognize this couple or know of photographers or owners
of photo studios named Haviland? If so, please contact Sandra
Vasconesz at svascone@du.edu.
By Sandra Vasconesz, Decorative and Fine Arts graduate research
intern